等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of surviva 　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it. 詳情

• HD中字

  隔絕

  勞倫·日爾曼,邁克爾·比恩,米洛·文堤米利亞,考特尼·萬斯,艾什頓·霍爾姆斯,羅姍娜·阿奎特,邁克爾·艾克朗德,珍妮弗·布蘭克,伊凡·岡薩雷斯,Abbey Thickson

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  克里斯·帕拉特,布萊絲·達拉斯·霍華德,文森特·多諾費奧,泰·辛普金斯,尼克·羅賓森,奧瑪·希,黃榮亮,伊爾凡·可汗,朱迪·格雷爾,杰克·約翰遜,勞倫·拉普庫斯,凱蒂·麥克格雷斯,布萊恩·泰,埃迪·J.費爾南德斯,因德爾·庫馬爾,安迪·巴克利,吉米·法倫

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  梅拉尼·羅蘭 馬修·阿馬立克 馬立克·茲迪

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  四十七浪人

  基努·里維斯,真田廣之,柴崎幸,淺野忠信,田中泯,赤西仁,羽田昌義,中島書,田川洋行,尼爾·芬格爾頓,菊地凜子,國元夏希,伊川東吾,塔洛·艾什達,出合正幸,約里克·范·韋杰寧根,梶岡潤一,克萊德·草津,安部春香,小家山晃,藤本政志,渡邊戈登,瑞克·格內斯特,羅恩·博蒂塔,維多利亞·格蕾絲,Raiden Integra,李鎮(zhèn)男,斯蒂芬·斯坦頓,?！の樾?/p>

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  Alexander,Anderson,Emma,Cole,Joseph,Coleman,Tom,Gaskin,King,Gayle,Toby,Goodger,Ellis,Jones,Hannah,Khalique-Brown,Duncan,Lacroix,Jessica,Zerlina,Leafe

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  馬特·萊夫,Robert,Palmer,Watkins,布萊恩·格羅斯

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  杰瑞米·艾倫·懷特,杰西·巴克利,安妮·墨菲,里茲·阿邁德,盧克·威爾遜,尼娜·凱莉,克萊爾·麥康奈爾,阿曼達·阿庫里,凱蒂·布賴爾,Avaah Blackwell,朱諾·里納爾迪,吉姆·沃森,坦凱·雷德弗斯,瓦倫·薩朗加,阿什莉·雷恩斯,塔梅卡·格里菲斯,米什·譚,希瑟·迪克,德萊妮·瑪西婭,勞倫·霍雷達

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  亞倫·泰勒-約翰遜,羅素·克勞,阿麗亞娜·德博斯,克里斯托弗·阿波特,亞歷桑德羅·尼沃拉,弗萊德·赫欽格,萊維·米勒,格雷戈·科爾帕克奇,勞勃·雷恩,穆拉特·賽文,恬伊·基,朱迪·布萊克特,橫山幸子,盧克·迪克西,維爾·博登,彼得·華生,杰西卡·周

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  瑞安·雷諾茲,朱迪·科默,喬·基瑞,里爾·萊爾·哈瓦瑞,塔伊加·維迪提,烏特卡什·安邦德卡爾,查寧·塔圖姆,休·杰克曼,道恩·強森,克里斯·埃文斯,約翰·卡拉辛斯基,蒂娜·菲,卡米爾·科斯塔克,布麗特妮·歐德福特,肯尼斯·以色列,亞歷克斯·崔貝克,勞拉·斯賓塞,馬修·卡德羅普,邁克爾·陶,野村祐人,Raj,Jawa,何塞·岡斯·阿爾維斯,歐文·伯克,加布里埃爾·洛萊斯,雷吉納·托芬,珍妮爾·費格利

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  石涼 , 任重 , 索笑坤 , 劉馨棋 , 辛祚宇

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  郭晉東,史振龍,馬原,劉一涵 Hanyi Liu

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  埃米爾·赫斯基,布魯斯·鄧恩,樸敏慶,阿曼達·克魯,萊克西·科爾克,艾娃·特雷克,米歇爾·哈里遜,馬蒂·芬諾喬,阿萊克斯·潘諾維奇,RJ費瑟斯頓豪,科維西·阿梅揚,賴恩·貝爾,里斯·亞歷山大,達科他·道爾比,李·肖頓,艾里亞·伯奇