芳心封鎖

　　The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography 　　The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation. 詳情

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  殺死騎師

  烏蘇拉·科爾維羅,納威爾·佩雷茲·畢斯卡亞特,丹尼爾·希梅內(nèi)斯·卡喬,瑪麗安娜·迪·吉拉莫,丹尼爾·凡尼戈,Roberto,Carnaghi,路易斯·齊姆博夫斯基,Rolly,Serrano,Adriana,Aguirre,奧斯馬·努涅斯

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  荊棘天堂

  羅杰夫,瑛法·瓦拉哈,彭沙功·麥塔立卡儂,哈里特·布阿約伊

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  東京教父

  江守徹,梅垣義明,岡本綾,飯塚昭三,加藤精三,石丸博也,槐柳二,屋良有作,寺瀨今日子,能登麻美子,大塚明夫,小山力也,宇垣秀成,小形滿,芝原智矢子,竹口安蕓子,伊藤和晃,古田信幸,湯屋敦子,堀川仁,風(fēng)間勇刀,最上嗣生,園部好德,川瀨晶子,宮崎晉永,矢原加奈子,柴田理惠,犬山犬子,山寺宏一,柚木涼香,進藤尚美,川原慶久,麻生智久,鈴森勘司,金田朋子,藤原啟治,興梠里美

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  人工智能

  海利·喬·奧斯蒙,弗蘭西絲·奧康納,山姆·洛巴茲,杰克·托馬斯,裘德·洛,威廉·赫特,梁振邦,克拉克·格雷格,凱文·蘇斯曼,湯姆·加洛普,尤金·奧斯門特,艾普爾·格雷斯,馬特·溫斯頓,薩布麗娜·格德維奇,西奧·格林利

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  源代碼

  杰克·吉倫哈爾,維拉·法米加,米歇爾·莫納漢,杰弗里·懷特,拉塞爾·皮特斯,詹姆斯·A·伍茲,邁克爾·阿登,喬·柯布登,卡斯·安瓦爾,凱爾·蓋特豪斯,波拉琴?？松?克雷格·湯姆斯,斯科特·巴庫拉

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  戰(zhàn)爭之王

  尼古拉斯·凱奇,布麗姬·穆娜,杰瑞德·萊托,伊安·霍姆

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  步履不停

  阿部寬,夏川結(jié)衣,江原由希子,高橋和也

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  劣跡斑斑

  機關(guān)槍凱利 Machine Gun Kelly, 埃里·恩比 Erin Ownbey, 道格拉斯·布斯 Douglas Booth, 艾倫·杰伊·羅姆 Aaron Jay Rome, 丹尼爾·韋伯 Daniel Webber, 艾麗莎·瑪麗·史迪威 Alyssa Marie Stilwell, 布蘭妮·弗蘭 Brittany Furlan, 伊萬·瑞恩 Iwan Rheon, 凱瑟琳·莫里斯 Kathryn Morris, 文斯·馬蒂斯 Vince Mattis, 阿維斯·瑪麗·巴尼斯 Avis-Mar

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  盧旺達飯店

  唐·錢德爾,蘇菲·奧康內(nèi)多,華金·菲尼克斯,尼克·諾特,哈基姆·凱-卡西姆,托尼·戈羅奇,法納·莫科納,大衛(wèi)·奧哈拉,莫蘇西·麥格諾,西莫·莫加瓦扎,卡拉·西摩,羅伯托·西特蘭,德斯蒙德·杜布,蕾樂蒂·庫馬洛

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  螢火蟲之墓

  辰己努,白石綾乃,志乃原良子,山口朱美,端田宏三

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  海邊的曼徹斯特

  卡西·阿弗萊克,盧卡斯·赫奇斯,米歇爾·威廉姆斯,C·J·威爾遜

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  末路狂花1991

  吉娜·戴維斯,蘇珊·薩蘭登,哈威·凱特爾,邁克爾·馬德森,布拉德·皮特